Customer Reviews
classic 70's electronica - By: Baldman, 21 Jun 2008 
Producedin the 70's before he really hit the big time, this is a slice of what made Vangelis the master of synth rock. This is up there against Tomita & J.M. Jarre, & comes out very well. We all gasped that only one man was making such wonderful music, remember this was before PCs & samples took over the world. There are complex & melodic pieces alongside percussion. There is an other worldly feel to the pieces which explains why this music was usedin Carl Sagans "Cosmos". The spoken title track is quite haunting & ethereal, the sound effects of the speaking clock & telephone dialling a little twee. A great introduction to synthesizers & the template for many a late night session staring at the clear night sky as a callow youth, dreaming about the Chariot of the Gods.
Sounding a bit dated but still interesting - By: Mr. Christian Hoskins, 06 Jun 2007 
Albedo 0.39 was releasedin 1976 & finds Vangelis using a mix of synthesizers, percussion & a variety of other instruments. Some of the more melodic tracks achieved quite wide exposure at the time, most notably "Alpha", which was used on the American television series "Cosmos".
The album sounds very much of its time, especially with regard to Vangelis's use of the Apollo astronauts' voicesin "Mare Tranquilitatis" & the British Post Office 'speaking clock' at the end of "Pulstar". Some of the tracks have an experimental feel & don't really work, most notably "Main Sequence". However, the "Sword of Orion" has a poetic elegance & the two "Nucleogenesis" tracks, very much 1970s rock but with unusual use of the organ, still sound quite exciting.
The narrator of the atmospheric "Albedo 0.39" track is not credited & some people assume it must be Vangelis himself, but apparently it was the album's recording engineer.
In summary, an interesting album but not as good as Vangelis's "L'Apocalypse des Animeux" or "China".
As fresh today.. - By: , 05 Sep 2002 It is astonishing that this record was releasedin 1976. 'Freefall' is comfortably 20 years ahead of its time & is reminiscent of Boards of Canada's quieter moments. Ignore the unhinged & unrepresentative 'Main Sequence'; the scary 'Intestinal Bat' & the title track are far superior.
SPACE ELECTRONICS AT THEIR FINEST - By: Mike Slade, 25 Nov 2000 Greek keyboard wizard Vangelis was one of the pioneers of popular electronic music, before he became famous for film soundtracks such as 'Blade Runner' & 'Chariots of Fire', for which he won an Oscar. ALBEDO 0.39 was released at the height of his commercial success during the late 1970s, & remains one of his most focussed & appealing albums. Not only does it avoid the classical pretensions of his earlier works, but also the tiresome experimental dabblings of subsequent efforts. ALBEDO represents the composer at his most 'electronic'. The album can best be describes as 'Space Rock', with each of the eight tracks having an astronomical theme & a cosmic atmosphere. There is littlein the way of the orchestral simulations that have typified most of Vangelis' work, & we are left with a series of very precise pieces full of lively fuzzy basses, jangly fills & synthetic solos. This does not undermine the composer's celebrated sense of melody, however, as ALBEDO is loaded with catchy tunes, & every piece shows lots of musical interest. The standout track must be 'Main Sequence', a blistering assault of stunning percussion work & dazzling keyboard virtuosity. This is electronic rock/fusion at its wildest, punctuated by sudden bursts of melody amidst a crashing cacophony. 'Sword of Orion' is one of Vangelis' most beautiful & soaring pieces of electronic music. 'Pulstar' is instantly recognisable owing to its frequent use on television programmes, while the album concludes with the title track. This features the man himself, reciting a series of cosmic facts about the earth as it travels through space. Not that musical, but a fascinating science lesson for those who are interested! For Vangelis fans, ALBEDO 0.39 is essential listening. Fans of electronic music with an astronomical theme should also check out Brian Eno's 'Apollo' Soundtrack.
